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Those sessions took place four days a week, from 2:30 in the afternoon until late in the evening, and the first track that the band members worked on was ‘Shine On You Crazy Diamond’. We were like guinea pigs and I was the main guinea pig.” Gremlins
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At the same time, he also engineered the band’s American concerts on the East Coast in April 1975 and on the West Coast that June, interrupting the January–July album sessions at Abbey Road where, according to Humphries, “Studio Three had just installed a Studer A80 24–track tape machine as well as an EMI–modified Neve that nobody knew how to operate. Next, when Dark Side Of The Moon engineer Alan Parsons began focussing on his own Alan Parsons Project activities, Humphries filled his place behind the console for Wish You Were Here. Thereafter, Brian Humphries accompanied Pink Floyd on their US visit, taking care of the live-sound mixing. So, they then asked me to take over doing their live sound for the rest of the British tour, which meant somebody else had to record the remaining Empire Pool gigs.” After giving it a listen I told them it was rubbish, especially considering the equipment they had. So, they asked me to sit down with their sound mixer and give them my opinion of what he was doing. “Then, when I was talking with the band members about old times, I let it be known that I had been doing live gig mixing. “I was asked to go to the second gig at the Empire Pool so that I could check out what equipment would be needed for recording with the mobile,” Humphries recalls. Thereafter, Humphries’ recording and mix assignments included Roger Waters’ compositions on the Music From The Body soundtrack, Traffic, Paul McCartney, the Rolling Stones, Led Zeppelin, Black Sabbath, Barclay James Harvest, Stevie Wonder, Jim Capaldi and Mott The Hoople through 1974, when Pink Floyd booked the Basing Street mobile truck to record a couple of concerts at London’s Empire Pool (now Wembley Arena). That same year he worked with Spooky Tooth, engineered the live tracks on Pink Floyd’s Ummagumma and also recorded (uncredited) the band’s contributions to the Zabriskie Point film soundtrack.
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He worked there with anyone from Lena Horne, Nancy Sinatra and Sammy Davis Jr to the Kinks and Pink Floyd, whose More movie soundtrack album was one of his final Pye–based projects before relocating to Island Records’ new Basing Street Studios in 1969. Humphries started as a tape op/assistant engineer at London’s Pye Studios in late 1964. That’s all we were doing until suddenly everything started falling into place.” Previously. We had a dartboard and an air rifle and we’d play these word games, sit around, get drunk, go home and return the next day. “I don’t think they knew what they wanted to do. “There were days when we didn’t do anything,” says Brian Humphries who engineered Wish You Were Here. Consequently, after reconvening for the follow–up inside Abbey Road’s Studio Three in January of ’75, Gilmour, Waters, keyboardist Rick Wright and drummer Nick Mason still struggled to find their muse.
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Premiered during a series of French and English concerts along with a couple of other new compositions, ‘Raving & Drooling’ and ‘You Gotta Be Crazy’, it drew negative reviews - most notably that by Nick Kent in the NME - at a time when the band members were finding it hard to remain motivated after the gargantuan success of 1973’s The Dark Side Of The Moon. It was while writing new material at a studio in London’s King’s Cross the previous year that David Gilmour - who had replaced the talented but troubled Barrett on lead guitar - came up with the four–note sequence that, first appearing just before the song’s four–minute mark, inspired bassist Roger Waters to pen its lyrics.
Pink Floyd in the control room of Abbey Road’s Studio 3 with Brian Humhpries (back to camera), during the Wish You Were Here sessions, 1975.Įngineer Brian Humphries tells the story of recording Pink Floyd’s nine-part lamentation to their lost colleague, Syd Barrett.Ĭelebrating the talent and mourning the absence of former Pink Floyd frontman Syd Barrett, whose mental breakdown precipitated his departure from the progressive rock outfit in early 1968, ‘Shine On You Crazy Diamond’ is the nine–part opus that, divided in two, bookends the 1975 concept album Wish You Were Here.
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